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Nothing is black and white. Not even
Manhattan, the 1979 Woody Allen film. Like its vintage,
black-and-white predecessors, Manhattan resonates in shades of gray.
Frank Rich called it "a prismatic portrait of a time and place."
Slower, lazier, meaner minds fail to appreciate the multifaceted complexity
of art and life. Simpler people demand simpler explanations. Does this
demand betray the weakness of their brains or the nastiness of their heats?
Both traits are to be shunned, I think.
According to the Columbus Dispatch, a Sheridan Middle School seventh-grader
was asked to take off or turn inside-out his T-shirt that read,
"Homosexuality is a sin, Islam is a lie, abortion is murder. Some issues are
just black and white." The boy refused, the school sent him home, a legal
battle ensued, and a federal judge ruled that the boy could continue to
display the hateful stupidity "as long as it does not disrupt classes."
All of this could have been avoided if somewhere along the line someone
had taught the boy, whoever raised him, and the knuckleheaded judge that
things are never black and white. Instead, all of them ended up with the
numskull notions that sexual orientation is a choice, centuries of religious
heritage can be summarized in a word, and that a legal medical procedure is
a capital crime.
But the final, stupid simplification of the T-shirt diatribe goes to the
root of the problem. Contrary to the typical, ill-informed
Christian-conservative conclusion, all issues have more than two tentacles.
No act is always right or wrong. No idea is always good or bad. Not even the
act of cutting someone with a knife. Consider the cutter being a surgeon
with a scalpel performing a life-enhancing operation or a jealous husband
springing from the bushes to decapitate his wife.
To think in black and white, dulls the mind and cheats the thinker of so
much color. That's why a film like Casablanca still resonates with
new generations and why Manhattan will do the same—without
anyone telling them that the author or director is an infallible god or
that not appreciating the film guarantees eternal damnation. |